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LEADER 03349cam 2200529Ii 4500
001
on1181842798
003
OCoLC
005
20210728172015.0
008
200804t20212021enka b 001 0 eng d
019
a| 1181834475
020
a| 9780198703570
020
a| 0198703570
q| paperback
020
a| 9780198703563
q| hardcover
020
a| 0198703562
q| hardcover
035
a| (Sirsi) o1181842798
035
a| (OCoLC)1181842798
z| (OCoLC)1181834475
040
a| YDX
b| eng
e| rda
c| YDX
d| BDX
d| UKMGB
d| OCLCO
d| ERASA
d| OCLCF
d| CDX
d| OCLCO
d| SINLB
d| UtOrBLW
043
a| ae-----
050
4
a| PR2880.A1
b| J68 2021
082
0
4
a| 822/.33
2| 23
100
1
a| Joubin, Alexa Alice,
d| 1973-
e| author.
=| ^A1251975
245
1
0
a| Shakespeare and East Asia /
c| Alexa Alice Joubin.
250
a| First edition.
264
1
a| Oxford :
b| Oxford University Press,
c| 2021.
264
4
c| ̐u2021
300
a| xii, 258 pages :
b| illustrations ;
c| 21 cm.
336
a| text
b| txt
2| rdacontent
336
a| still image
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
490
1
a| Oxford Shakespeare topics
504
a| Includes bibliographical references (pages 239-243) and index.
520
8
a| Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe.0Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.
600
1
0
a| Shakespeare, William,
d| 1564-1616
v| Adaptations.
=| ^A510252
600
1
0
a| Shakespeare, William,
d| 1564-1616
v| Film adaptations.
=| ^A1017799
600
1
0
a| Shakespeare, William,
d| 1564-1616
x| Stage history
z| East Asia.
=| ^A16748
600
1
7
a| Shakespeare, William,
d| 1564-1616.
2| fast
0| (OCoLC)fst00029048
?| UNAUTHORIZED
651
7
a| East Asia.
2| fast
0| (OCoLC)fst01243628
?| UNAUTHORIZED
655
7
a| Adaptations.
2| fast
0| (OCoLC)fst01423910
655
7
a| Film adaptations.
2| fast
0| (OCoLC)fst01710491
830
0
a| Oxford Shakespeare topics.
=| ^A445393
949
a| Order on Demand
w| ASIS
h| JOYNER219
960
o| 1
s| 20.00
u| JENG
z| USD
961
f| DMD
m| 138099
596
a| 1
998
a| 5627976
999
a| ORDER ON DEMAND
w| ASIS
c| 1
i| 5627976-1001
l| JYBPDDAP
m| JOYNER
r| Y
s| Y
t| JYBPDDAPU
u| 5/5/2021