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Literary and linguistic theories in eighteenth-century France : from nuances to impertinence / Edward Nye.

Author/creator Nye, Edward
Other author/creatorOxford University Press.
Format Electronic and Book
Publication InfoOxford : Clarendon,
Descriptionx, 250 p. : ill. ; 21 cm.
Supplemental Content Full text available from Oxford Scholarship Online
Supplemental Content Full text available from Oxford Scholarship Online Literature
Subject(s)
Series Oxford modern languages and literature monographs
Contents Machine generated contents note: THE HISTORY OF 'NUANCES': -- IMITATION IN THE EIGHTEENTH CENTURY -- 1.1 The 'querelle du coloris' -- 1.2 Le Blon's invention of colour engraving -- 1.3 Castel's colour harpsichord and colour -- weaving -- 1.4 Girard and synonymy -- .5 Condillac's Art d'ecrire -- 1.6 Bievre's 'calembours' -- 1.7 Diderot's article 'Beau' -- 1.8 D'Alembert, Court de Gebelin, and -- encyclopaedias -- 1.9 The theory of genres -- Conclusion -- 2. PRECIOSITYAND ITS DISCONTENTS -- 2.1 Marivaux and two kinds of 'clarte' -- 2.2 Houdar de La Motte's idea of poetry and -- prose -- 2.3 Criticism of preciosity -- 2.4 Fenelon's compromise -- 2.5 Girard's compromise: Synonymes francois -- 2.6 Dumarsais's compromise: Traite des tropes -- 2.7 Olivet's compromise: Prosodie -- Conclusion -- 3. CONDILLAC'S IDEA OF 'NATURE' -- 3.1 Semiosis -- 3.2 Empathy in the origin of language -- 3.3 From 'nature' to 'second nature' in language -- 3.4 Diderot and composition in painting -- 3.5 Empathy and gesture in the 'drame -- bourgeois' -- 3.6 Rousseau and the figurative origins of -- language -- 3.7 Buffon's universal style -- Conclusion -- 4. LINGUISTIC AND POETIC SOUND SYMBOLISM -- 4.1 De Brosses's theory of phonomimetism -- 4.2 Court de Gebelin's theory of phonomimetism -- 4.3 Sound symbolism in poetry -- 4.4 Diderot's hieroglyph -- 4.5 The perfect language -- 4.6 De Piis and sound symbolismin poetry -- 4.7 'Etymologie' as a theory of poetry -- Conclusion -- 5. THE DISSOLUTION OF LANGUAGE -- 5.1 The linguistic philosophy of 'idologie' -- 5.2 Universal language schemes: Locke, Delormel -- and Maimieux -- 5.3 L'Epee's sign language - -- 5.4 Sicard's sign language -- 5.5 Condillac's algebraic language -- 5.6 The literary aesthetics of 'impertinence' -- 5.7 Mercier's literary aesthetics -- 5.8 M ieier and necrophilia -- 5.9 Mercier's Tableau de Paris -- Conclusion -- CONCLUSION -- Appendix -- La Motte, (Edipe, tragedie, Act III, scene vi, extract -- La Motte, (Edipe, tragedie en prose, Act III, scene v, -- extract -- Bibliography -- Index.
Bibliography noteIncludes bibliographical references (p. [233]-247) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2001269917
ISBN0198160127

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