ECU Libraries Catalog

Jelly Roll, Bix, and Hoagy : Gennett Studios and the birth of recorded jazz / Rick Kennedy.

Author/creator Kennedy, Rick, 1956-
Format Book and Print
Publication InfoBloomington : Indiana University Press, ©1994.
Descriptionxx, 233 pages, 16 pages of plates : illustrations ; 24 cm
Subject(s)
Contents Foreword / by Steve Allen -- A music dynasty in Victorian Indiana. Starr Piano Company ; Courtroom showdown : Victor vs. Starr Piano ; Halcyon days in Starr Valley -- A new wind is blowing through Chicago. The origins of jazz recording ; The New Orleans Rhythm Kings ; King Oliver and his legendary Creole Jazz Band ; The music of Jelly Roll Morton ; Just passing through : other jazz debuts in Richmond, 1923-25 ; Louis Armstrong and the Red Onion Jazz Babies -- Jazz hysteria in the Hoosier State. Bix and the Wolverines ; Hoagy and Bix : soulmates in jazz ; Shaping the Beiderbecke legend ; From obscurity to Stardust -- Rural recordings in the electronic era. From Electrobeam to budget labels ; Scouting the hills of Appalachia for that old-time music ; The WLS "National Barn Dance" and its "Kentucky Mountain Boy" ; The golden era of old-time singing ; Country blues recording ; Gennett's last hurrah in jazz -- Yet the music lives on. The noisemaker : Harry Gennett, Jr., and his Sound Effects Records ; The final accounting.
Abstract Some of the earliest performances by the likes of Jelly Roll Morton, the New Orleans Rhythm Kings, King Oliver, Louis Armstrong, and Bix Beiderbecke were preserved on recordings produced at Gennett Studios, an independent company in the small city of Richmond, Indiana. In a primitive studio next to the railroad tracks, many of America's earliest jazz, blues, and country musicians were captured on wax discs. It was here that Hoagy Carmichael's timeless "Stardust" debuted as a dance stomp. In 1915, the Gennett family, the enterprising owners of Starr Piano Company, created a small record division to supplement their income. In the early 1920s Gennett's victory in a landmark patent case involving the mighty Victor Records changed the competitive nature of the young record industry. The Gennetts made music history by recording young jazz pioneers in the Midwest and folk musicians from the Appalachian hills at a time when major record labels in the East couldn't be bothered. Gennett featured such country music stars (then known as "old-time" musicians) as Gene Autry, Chubby Parker, and Bradley Kincaid and early blues artists Big Bill Broonzy, Blind Lemon Jefferson, and Roosevelt Sykes. During a period of rigid segregation, Gennett freely recorded black musicians. Ultimately issuing discs with several different labels, Gennett had a major impact, particularly on the emerging jazz movement, both in the United States and abroad. Today these recordings are valued collector's items, and some have been reissued in anthologies on LP and CD. Jelly Roll, Bix, and Hoagy is the first detailed account of the people and events behind this unique company. Personalized by anecdotes from musicians, employees, and family members, it traces the colorful history of this innovative business until its demise during the Great Depression. As Steve Allen predicts in the Foreword, "even those with no special involvement with jazz will be stimulated by the combination of the many cultural and social threads the book weaves together."
Local noteLittle-312917--305131014555X
Bibliography noteIncludes bibliographical references (pages 225-227) and index.
LCCN 93023970
ISBN0253331366 (cl : alk. paper)

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML3792 .K45 1994 ✔ Available Place Hold