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LEADER 03784cam 2200409 i 4500
001
ocn905450304
003
OCoLC
005
20170927044048.0
008
150313s2015 nyu b 001 0 eng
010
a| 2015010445
020
a| 9780190206055
q| (hardcover ;
q| alkaline paper)
020
a| 0190206055
035
a| (Sirsi) o905450304
035
a| (OCoLC)905450304
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a| DLC
b| eng
e| rda
c| DLC
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d| BDX
d| BTCTA
d| YDXCP
d| CLE
d| PUL
d| COO
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042
a| pcc
049
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050
0
0
a| ML3845
b| .T37 2016
082
0
0
a| 780.9/034
2| 23
100
1
a| Taylor, Benedict,
d| 1981-
=| ^A1107441
245
1
4
a| The melody of time :
b| music and temporality in the romantic era /
c| Benedict Taylor.
264
1
a| New York :
b| Oxford University Press,
c| [2016]
300
a| viii, 312 pages :
b| illustrations, music ;
c| 25 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 291-306) and index.
505
0
0
t| Time and transcendence in Beethoven's late piano sonatas --
t| Music, time and philosophy --
t| Memory and nostalgia in Schubert's instrumental music --
t| Temporality in Russian music and the ideology of history --
t| La Sonate Cyclique and the structures of time --
t| Elgar's The Music Makers and the spirit of time.
520
a| From the Romantic era onwards, music has been seen as the most quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. Through its play of themes and recurrence of events, music has the ability to stylize in multiple ways our temporal relation to the world, with far-reaching implications for modern conceptions of memory, subjectivity, personal and collective identity, and history. Time, as philosophers, scientists and writers have found throughout history, is notoriously hard to define. Yet music, seemingly bound up so intimately with the nature of time, might well be understood as disclosing aspects of human temporality unavailable to other modes of inquiry, and accordingly was frequently granted a privileged position in nineteenth-century thought. This book examines the multiple ways in which music relates to, and may provide insight into, the problematics of human time. Each chapter explores a specific theme in the philosophy of time as expressed through music: the purported timelessness of Beethoven's late works or the nostalgic impulses of Schubert's music; the use of music by philosophers as a means to explicate the aporias of temporal existence or as a medium suggestive of the varying possible structures of time; and, a reflection of a particular culture's sense of historical progress or the expression of the intangible spirit behind the course of human history itself. Moving fluidly between cultural context and historical reception, competing philosophical theories of time and close reading of the repertoire, the author argues for the continued importance of engaging with music's temporality in understanding the significance of music within society and human experience. At once historical, analytical, critical, and ultimately hermeneutic, this book provides both fresh insight into many familiar nineteenth-century pieces and a rich theoretical basis for future research.
650
0
a| Time in music.
=| ^A228528
650
0
a| Music
y| 19th century
x| Philosophy and aesthetics.
=| ^A1181352
650
0
a| Music
y| 19th century
x| History and criticism.
=| ^A145272
949
o| jjnb
994
a| C0
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596
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998
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999
a| ML3845 .T37 2016
w| LC
c| 1
i| 30372017487114
d| 10/8/2020
e| 8/21/2020
f| 7/5/2018
g| 1
l| MST
m| JMUSIC
n| 1
r| Y
s| Y
t| MGESBK
u| 9/27/2017
x| BOOK
z| MCIRC
o| .STAFF. jjnb; enhanced 1/25/24 -jjab