ECU Libraries Catalog

Tears into wine : J. S. Bach's Cantata 21 in its musical and theological contexts / Eric Chafe.

Author/creator Chafe, Eric Thomas, 1946- author.
Format Book and Print
Publication InfoNew York, NY : Oxford University Press, 2015.
Descriptionx, 603 pages : illustrations, music ; 25 cm
Subject(s)
Contents Introduction: Ich hatte viel Bekümmernis: Stages of revelation -- Part I: The theological context. Tears into wine: liturgical and related questions -- Per ogni tempo: text interrelatedness in Cantata 21 -- Inner and outer revelation: Johann Arndt and Philip Nicolai -- "Arndtian pietism" and "Spiritual orthodoxy": Joachim Lütkemann, Heinrich Müller, Christian Scriver -- Part II: Music and the foretaste of eternity. Music and the praise of God -- Christoph Raupach and Johann Mattheson -- Breakthrough and foretaste: the way to Heaven -- Part III: Ich hatte viel Bekümmernis. Spiritual sorrow: part 1 -- Ascent of the soul: part 2 -- Part IV: Cantatas for Weimar 1714. Perspectives on the incarnation: Cantatas 61, 63, 152 -- The way of the cross: Cantatas 182 and 12 -- Descent and indwelling: Cantata 172 -- Appendix A. Ich hatte viel Bekümmernis: text and translation -- Appendix B. Gospel and epistle readings for the third Sunday after Trinity -- Appendix C. Gospel and epistle readings for the second Sunday after Epiphany.
Abstract In 1714, the 29 year-old Johann Sebastian Bach was promoted to the position of concertmaster at the ducal court of Weimar. This post required him for the first time in his already established career to produce a regular stream of church cantatas-one cantata every four weeks. Among the most significant works of this period is Ich hatte viel Bekümmernis in meinem Herzen (Cantata 21). Generally known in English as "I had much affliction," Cantata 21 draws from several psalms and the book of Revelation and offers a depiction of the spiritual ascent of the soul from intense tribulation to joy and exaltation. Although widely performed and loved by musicians, Cantata 21 has endured much criticism from scholars and critics who claim that the piece lacks organizational clarity and stylistic coherence. In the book, the author, a renowned Bach scholar, challenges the scholarly consensus, arguing that Cantata 21 is an exceptionally carefully designed work, and that it displays a convergence of musical structure and theological purpose that is paradigmatic of Bach's sacred work as a whole. Drawing on a wide range of Lutheran theological writing, the author shows that Cantata 21 reaches beyond the scope of the individual liturgical occasion to voice a breadth of meaning that encompasses much of the core of Lutheran thought. The author artfully demonstrates that instead of simply presenting a musical depiction of the soul's journey from sorrow to bliss, Cantata 21 expresses the various stages of God's revelation and their impact on the believing soul. As a result, the author reveals that Cantata 21 has a formal design that mirrors Lutheran belief in unfolding revelation, with the final movement representing the work's "crown"--the goal toward which all of the earlier movements are directed. Complete with full text translations of the cantata and the liturgical readings that would have accompanied it at the first performance, this book is a monumental book that is ideally suited for Bach scholars and students, as well as those generally interested in the relationship between theology and music.
Bibliography noteIncludes bibliographical references (pages 577-596) and index.
LCCN 2014025879
ISBN9780190217297
ISBN0190217294 (hardcover)

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML410.B13 C46 2015 Item has been checked out - Due: 07/02/2024 Want This?