| Contents |
Pt. 1. Rethinking the romantic critic -- "Small reverence for station": Walter Savage Landor's subversive Shakespeare / David Chandler -- Peer reviewed: Elizabeth Inchbald's Shakespeare criticism / Karen Gevirtz -- "My god! madam, there must be only one Black figure in this play": Hamlet, Ophelia and the romantic hero / Karen Britland -- pt. 2. Shakespeare and the making of the romantic poet -- The state of unfeigned nature: poetic imagination from Shakespeare to Wordsworth / Thomas Festa -- "Mature poets steal": Charlotte Smith's appropriations of Shakespeare / Joy Currie -- The sublimity of Hamlet in Emily Dickinson's "He fumbles at your soul" / Marianne Noble -- pt. 3 The romantic stage -- "The translucence of eternity in time": Shakespeare and Coleridge's Zapolya / Paola Degli Esposti -- Contextual hauntings: Shakespearean ghosts on the Gothic stage / Francesca Saggini -- Shakespeare reception in France: the case of Ambroise Thomas's Hamlet / Suddhaseel Sen -- pt. 4. Harnessing the Renaissance: markets, religion, politics -- reconstructing the Boydell Shakespeare Gallery / Ann Hawkins -- Pericles and the spiritual wisdom of Joanna Baillie's Sacred dramas The Martyr and The Bride / Marjean Purinton and Marliss Desens -- A written warning: Lamb's use of John Ford / Leigh Wetherall-Dickson. |
